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Exhibitions Hanging Around Modern And Contemporary Lighting.

Homeowners, whom are searching for the perfect illumination device for his home, have ample choices. However, ceiling light fittings could be the most excellent decision, since these items should be used for both functional and decorative purposes.

One great form of ceiling lighting. Is the Recessed could light. This is extremely versital and may be used for task lighting, accent lighting or task lighting. Recessed lights have most variations in baffles and lenses. The many prominent type is your standard baffle trim. The baffle provides ambiant room lighting. You should create task lighting with the cans by adding a spot also generally known as an eyeball. You could focus the light with these on a area to creating a working area or you should high light a piece of artwork or furniture.

Ceiling light fixtures are some of the the highest prevalently used lighting furnishings throughout your home. Ceilings lights could be used in almost every room and in almost any application. They should be used to accent a piece of furniture or art work. Or it could be used as task lighting for everyday tasks.

Choosing the right ceiling light for your home may dictate a design topic or it could blend into your. existent interior decoration Wholly the kindling manufactures have centred a deal of care on this typecast of lighting so in that location are most choices and designs to choose from. The best area to start is recognizes what eccentric of ignition you are look for what of all time it be undertaking lighting or if is release to be exploited as ambient light

There are countless options when it comes to switching out your existing lights, including: ceiling furnishings , recessed lighting, pendant lighting, chandeliers, mode lighting, under cabinet lighting, wall sconces, wall fixtures.

Pendants are an alternative great style to create a soft light that set a design theme in a room as well. Pendants are a great attribute to light a kitchen, office of dining nook.

The most prominent form of ceiling lighting is the basic dome light also know as a flush mount ceiling light. These are good for basic lighting of a small room. These do not provide much task lighting it is primarily used to for basic lighting needs. the highest lighting manufactures have a few sizes of these and the the highest prominent ones have anywhere from 1 to 3 light bulbs.

Chandeliers are another great form of ceiling lighting. Chandeliers are used for more general lighting. They are good for spreading light over a large area . A Chandelier is used more to set a design subject and create a focal point in a room. common areas for use are in a entry, living room or dining room. They also have become a preferred of designers to class up a larger bathroom. The have used mini chandeliers to give that boring bathroom some pathway and class.

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Punching open a bold new entrance to the stately Victorian brick screen that runs along Exhibition Road, the V&A’s most ambitious project in 100 years will open this summer. Designed by Amanda Levete Architects, it will provide one of the biggest temporary exhibition spaces in the country, buried beneath a new courtyard paved with shimmering porcelain tiles in a nod to the decorative ceramics in the museum’s collection, and the sgraffito frieze of Aston Webb’s original buildings, revealed for the first time since it was built in 1873. The V&A’s Porter Gallery will also be hosting Plywood, an encyclopaedic show about the diverse applications of this humble laminated material, from its earliest use by ancient Egyptian craftsmen to groundbreaking 20th-century designs. Full-scale installations will include a 1913 Deperdussin Monocoque plane dangling from the dome, and an office designed by Frank Lloyd Wright.• The V&A Museum, London, from July.

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If you want to add drama and impact to your home, pendants can change the look of a room instantly. Extremely versatile, pendant fixtures come in a wide range of styles and materials. They are also suitable for many lighting situations in your home from the foyer, to the kitchen.

While island, bowl, dome and drum are the four most common, at Bellacor you’ll find options for every look and desire. Adding new ceiling lights or refreshing your current lights will allow your home to have a style update without a full-house remodel.

Want to give your foyer a boost – swap for a more modern pendant. Need to shed more light on your food prep now that the days are shorter – it must be time to update your kitchen lighting fixtures! New island lights will move your kitchen from “so-so” to “show stopping”! Pendants: Inspiration & Ideas

Wouldn’t your home benefit from a little spruce up by way of fresh pendant lighting? Of course it would! If you want to add drama, a multi-light hanging fixture over a farmhouse tale instantly creates a bold statement.

Grouping similar pendant lights hung at different heights over a work surface will provide the needed task lighting and eye-catching look at the same time. Classic downlight pendant lighting for a kitchen island will provide a warm ambience for dining while a single drum pendant lighting for a designated kitchen dining area produces a stylish setting.

Modern Pendant Lighting Stylish and striking, modern pendant lights give a contemporary vibe to any room. Typically, modern design refers to anything from the 20th Century and is recognized by angles, an industrial look and a boxy design.

Even within the term of modern, there are different styles of pendant light fixtures available.

This is the first solo museum exhibition of the Brazilian-born artist that showcases her dynamic installations, indoor and outdoor sculptures, and works on paper. The exhibition, spanning two galleries, is…

One house looks like a little bookcase, its shelves held up on impossibly thin toothpick columns. Others look like gnarled concrete caves, or precipitous climbing frames, or enclosures of screens and curtains that are barely there at all. Japanese domestic architecture of the last 70 years has seen some of the most experimental and imaginative structures ever built, over 50 of which will be brought to life in this fascinating exhibition.• The Barbican, London, 23 March–25 June.

A museum dedicated to contemporary art, architecture and design.

Design and California go together like Charles and Ray Eames, or the swimming pool and the glass-walled villa. But what’s been happening since the glory days of mid-century modernism? This ambitious exhibition picks up the story in the 1960s, charting how the Golden State pioneered tools of personal liberation, from LSD to skateboards and iPhones, bringing together political posters and self-driving cars, and exploring how designers in the Bay Area are shaping our everyday lives.• The Design Museum, London, 24 May–15 October.

This spiky artistic duo have talent to burn and a flippant insouciance that can make it seem they are happy to see it in flames. Their new show sees them full of punk spunk. It’s called Sticks With Dicks and Slits and consists of colossal sculptures that gleefully reduce the human form to graffiti essentials. These anatomically explicit self-portraits were modelled with bits of wire before being made big in bronze. Once gain, Webster and Noble display their innate graphic ability. Have they rediscovered a primal and primitive art of the body? Or is it just a laugh? • Blain Southern Gallery, London, 3 February–25 March.

Grand Tour: Documenta; Venice Biennale; Münster Sculpture Project

Eruption … an illustration by William Hamilton at Oxford’s Bodleian Library. Photograph: Bodleian Volcanoes

Two major collaborations, the Pietà for San Francesco in Viterbo (c 1512–16), and the Raising of Lazarus (c 1517–19), painted for the Cathedral of Narbonne, are the centerpieces of an exhibition devoted to the intimate friendship and artistic collaboration between Michelangelo and Sebastiano del Piombo. The younger Venetian artist arrived in Rome in 1511, and their relationship continued, often at long distance, until an acrimonious falling-out in 1534. Art and life, eh?• National Gallery, London, 15 March–25 June.

Bring lighting into your dining room, bedroom or foyer that is simply irre…

Snapchat glasses … California at the Design Museum. Photograph: Design Museum California

Punning on his name and leaving his mark wherever he goes, Wallinger splits and doubles, mirrors and twins himself with simultaneous shows in Scotland. Recent Rorschach blot paintings form the basis of exhibitions that put the artist in a bear suit and the I back into the id. Wallinger can be funny, poignant, painful, perverse and political, sometimes all at the same time. He once performed as the back half of a pantomime horse, and has his nose deep into British culture. He really deserves a huge museum retrospective. For now, this’ll have to do.• Fruitmarket Gallery, Edinburgh, 4 March–4 June and Dundee Contemporary Arts, 4 March–4 June.

Queer British Art … Sappho and Erinna in the Garden Mytelene by Simeon Solomon. Photograph: Fine Art Photographic/Corbis via Getty Images Queer British Art 1861-1967

In this immersive installation by Turkish-born, Los Angeles-based artist Refik Anadol, museum guests will step into a mirrored room that uses light, sound and technology to create a three-dimensional kinetic…

Distinctive 6-light steel chandelier in antique bronze finish has sweepin…

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Featuring more than 130 artworks from SMoCA’s permanent collection, Wild Thing celebrates all things animal—a menagerie in print, paint and sculpture. This thematic, playful exhibition explores the relationship between artist…

Founded in Hull by Cosey Fanni Tutti and Genesis P-Orridge in the late 1960s, COUM Transmissions have become a countercultural legend. Celebrating the renegade band of art provocateurs who later morphed into the no less confrontational Throbbing Gristle, this is the first major survey of their rackety lives and art. Their influential performances and exhibitions, music and lifestyles were chaotic and sexually provocative, leading one Conservative MP to call them “wreckers of civilisation”, which is good enough for me. • Humber Street Gallery, Hull, 3 February–22 March.

Pluto (And From Here You Look So Small), detail from Aleksandra Mir’s Space Tapestry: Faraway Missions. Photograph: Aleksandra Mir Aleksandra Mir

Pendants serve as both an excellent source of illumination and an eye-cat…

Years before Damien Hirst put a shark in a tank, Pink Floyd sent inflatable pigs floating above Battersea power station. The artistic ambitions of this operatic rock group, who evolved from psychedelia to sociopolitical rage, have a vivid visual dimension. As well as those pigs, they worked with cartoonist Gerald Scarfe to create the epic imagery of their concept album The Wall, and put a prism on Dark Side of the Moon to create a masterpiece of pop art. Early on, their light shows used spectacular druggy effects. When I was a child I caught a fleeting glimpse out of the corner of my eye. • V&A, London, 13 May–1 October.

Queer identities and everyday lives, erotic images and queer aesthetics are the focus of this wide-ranging show, which takes us from the mid-19th century to the decriminalisation of male homosexuality in England and Wales in 1967. Mixing the personal and the political, and including music hall and theatre design, private ephemera and the door to Oscar Wilde’s cell in Reading jail, Queer British Art follows changing definitions and attitudes to sexuality and gender, stories of repression and of celebration. Will it go far enough?• Tate Britain, London, 5 April–1 October.

This is a welcome fresh look at one of the most intriguing British painters of the 20th century. Michael Andrews, who died in 1995, was a poetic realist who saw things from unexpected and eerie points of view. His 1974 painting Lights VII: A Shadow, a cool depiction of the shadow of a balloon moving across a beach, is one of the defining works of art of its age; a strange and sad image of something we know only from the light it blots out. Who is in the balloon and where is it going? Is art itself a kind of shadow? This and other major works by Andrews ought to make this a revelatory encounter with an exciting artist. • Gagosian Gallery, London, 20 January–25 March.

Work and history … Amie Siegel’s Quarry, 2015. Photograph: Jens Liebchen/Courtesy Simon Preston Gallery, New York Amie Siegel: Strata

A single multi-lamp hanging pendant placed over a kitchen island will create a dramatic focal point for the room. And don’t forget, which hanging light pendant you choose will also determine how the other features of your kitchen are showcased.

Perhaps your kitchen island features a beautiful countertop. In this case, a warm wash of the island pendant light will help bring out various tones of the countertop material while directional light pendants will bring out the sparkle in surfaces like granite.

From dramatic and bold to subtle and utilitarian, island pendant lights can bring out the very best of your kitchen. Something for Every Look & Style Proper lighting does more than simply provide illumination.

It creates brilliance and turns a house into a home. From the foyer to the dining room, kitchen to the hall, pendants are one of the key components of all lighting plans. With a full-range of styles, sizes and prices, we are sure you will find the perfect pendant light here at Bellacor.

If you need any help or wish to discuss the finer points of any of our fixtures, please call our customer service line. We look forward to hearing from you because – Home is a Life in Progress.

What makes art popular and what makes a popular art? Populism is a tough card to play. This exhibition examines the phenomenon. Grayson Perry’s roles and personae – cross-dressing, Turner prize-winning potter and analyst of masculinity, TV pundit, Reith lecturer, curator, tapestry maker and much besides – have made him a popular and enduring cultural presence. Perry the artist and the art itself have become indivisible. How will his art fare, in the popularity stakes? • Serpentine Galleries, London, 8 June–10 September.

Sat 7 Jan 2017 10.00 GMT Last modified on Thu 24 May 2018 16.37 BST

Robots … from Leonardo to Super Astronaut. Photograph: The Board of Trustees of the Science Museum Robots

Keep your lighting current with Mill and Mason’s fresh assortment of Moder…

Spherical dual shades constructed of woven string in two tone finish comb…

A revolutionary year … Bolshevik, 1920, by Boris Mikailovich Kustodiev. Photograph: State Tretyakov Gallery

American artist Amie Siegel’s much anticipated first UK solo show takes us from the world’s deepest underground marble quarry to the stone’s destination in Manhattan’s skyscrapers in a complex film about place and material, work and history. A second film rummages through Sigmund Freud’s collection of totemic objects, as though it were itself a kind of subconscious. Always a delight, Siegel’s films are mesmerising, complex affairs filled with mystery and wonder.• South London Gallery, 20 January–26 March.

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Warm up to Classic Casual style with this dynamic fixture. 251 First’s Whi…

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The Japanese House … Fujimoto, House NA, 2011. Photograph: Iwan Baan/Katsuhisa Kida/Fototeca The Japanese House: Architecture and Life After 1945

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Museums distort the Italian Renaissance by treating its – admittedly gorgeous – creations as pure “art” separated from life. Decorated trays that were made specifically to serve food to women who had just given birth are hung up vertically as “paintings”. Bedroom chests have their paintings stripped off to hang as high-cultural trophies. This exciting exhibition puts Renaissance art back in the homes of merchants and their families with a rich mix of household objects and paintings that portray home life. It is a trip to a time when you might have aBotticelli by your bed and get water from a Donatello fountain. • Fitzwilliam Museum, Cambridge, 7 March–4 June.

May 26 – September 30 Timed entry is required to view this exhibition, and a limited number of patrons are permitted for each time of entry. Please be aware there may be a short wait to be admitted.

Only now is technological reality catching up with the robots that have so long haunted science fiction. Leonardo da Vinci, whose art is arguably one huge experiment in science fiction, made a mechanical monster to impress the king of France in the early 1500s. At the start of the 20th century, artists and writers became fascinated by the post-human: in 1913-15, Jacob Epstein imagined a terrifying droid in his sculpture The Rock Drill, and in 1920 the Czech writer Karel Capek wrote RUR (Rossum’s Universal Robots). This exhibition has everything from Renaissance automata to the latest attempts to replace ourselves. • Science Museum, London, 8 February–3 September.

The Deutsche Börse shortlist often betrays the curatorial bias of the judging panel – one artist this year and three curators – more than it illuminates the state of contemporary photography. This year is no exception, with Sophie Calle, Dana Lixenberg, Awoiska van der Molen and the duo, Taiyo Nontaro and Nico Krebs vying for the award. How you pit one against the other is anyone’s guess, but van der Molen’s formally beautiful nocturnal landscapes are quiet and haunting, while Lixenberg’s epic project from the troubled Watts district of Los Angeles is social documentary on a grand and moving scale. Calle will probably swing it, though.• Photographers Gallery, London, 3 March-11 June.

In a group of farm sheds in the quaint Buckinghamshire village of Lacey Green, an unlikely laboratory of robotic arms, potters’ wheels and sausage-making machines has been busy squeezing the future out of lumps of clay. From intricate latticework screens to elephantine columns and finely glazed ceramics, groups of architects, students and researchers at Grymsdyke Farm have been investigating the realm where earthy local materials and high-tech computer-controlled manufacturing collide – and the results of their latest architectural experiments will be on show at this intriguing exhibition in Bristol. • The Architecture Centre, 25 January–12 March.

The social and the political are interwoven in this solo show by Wolfgang Tillmans, which takes 2003’s invasion of Iraq as its starting point. Portraits, landscapes and everyday still lifes, sometimes printed monumentally, merge with abstract works and images of activism and turbulence. Tillmans will also be presenting his work in film, video and music in the south Tank for 10 days with live events featuring performances and sound systems. • Tate Modern, London, 15 February-11 June.

Think outside the box with this open-air design. The Fulton Bronze Four-Li…

This year’s Format photo-festival in Derby explores the theme of Habitat, from the environmental to the domestic via displacement and the creation of digital worlds. The central group show, Ahead Lies Our Future, includes Ester Vonplon’s ambitious visual requiem for the melting glaciers of Switzerland and Lida Abdul’s What We Have Overlooked, a meditation on individual loss made in her native Afghanistan. • Various venues, Derby, 24 March-23 April

The life of this quintessential artist of the Bloomsbury group in early 20th-century-Britain has often eclipsed her works. Books, films and TV serials have told of her loves, friendships and her relationship with her sister Virginia Woolf. Yet how good an artist was she? This survey of Bell’s paintings offers a chance to look seriously at her work. Inspired by French modern art yet faithful to a very English preoccupation with the depiction of reality, her paintings are vivid, sensual and civilised. Perhaps too civilised – let’s go along and see. • Dulwich Picture Gallery, London, 8 February–4 June.

This imaginative artist is obsessed with the dream of space travel. In her latest homage to humanity’s stellar destiny, she has created a 200-metre tapestry that tells the story of our journeys into space – real and imagined, past, present and future. The similarity of her project to the Bayeux tapestry is no coincidence, for the makers of this great medieval artwork wove an image of Halley’s comet into it – one of the oldest astronomical depictions in art. Mir has worked with a team of young people to create her optimistic history of our urge to go beyond Earth. • Tate Liverpool, 23 June–15 October.

Dark metalwork and soft light come together to create a shapely luminary m…

Grant Wood, American Gothic, 1930. Photograph: The Art Institute of Chicago, friends of American Art Collection America After the Fall

Hovering over the water like an upturned colander on the edge of Abu Dhabi’s £18bn Saadiyat Island, the Louvre’s spectacular Gulf outpost will finally open in 2017. Ten years in the making, the complex has been designed by French architect Jean Nouvel as a city-sized cluster of buildings rising out of sea, covered with a gigantic woven metal dome that will cast an ever-changing “rain of light” over the spaces beneath. Originally intended to be one of many such outposts, including the Guggenheim, it may well end up standing alone: the others have yet to even begin construction.

Charred papyruses from a Roman villa buried by the eruption of Vesuvius in AD79 are among the fascinations of this history of volcanoes in science and art. The first volcanologist was probably Empedocles, an ancient Greek philosopher who is said to have dived into Mount Etna in a fatal experiment. The modern study of volcanoes started in the 18th century, when artists including Joseph Wright of Derby painted spectacular images of Vesuvius spewing fire and William Hamilton published his sumptuously illustrated scientific work Campi Flegrei. In more recent times, Andy Warhol painted Vesuvius. This should be hot stuff.• Bodleian Library, Oxford, 10 February–21 May.

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From the biggest ever Hockney show to the Bayeux tapestry of space, with the Russian revolution, Renaissance miracles and California’s tech visions thrown in … the best art and design exhibitions to come in 2017

An exhibition that explores the myriad ways in which the north of England has inspired the wider world in terms of fashion, music and youth culture. It asks whether the north of England has a particular aesthetic as well as an attitude? Helping provide the answer are photographers such as Nick Knight, Corinne Day, Jason Evans, fashion designer Paul Smith, and artists Peter Saville and Jeremy Deller. The theme of masculinity will feature strongly. • Open Eye Gallery, Liverpool, 6 January-19 March.

Nearing 80, the Bradford-born one-time symbol of Swinging London has been a painter of swimmers and California pools, heat-struck canyons and damp Yorkshire wolds. A terrific graphic artist and etcher, portraitist, photographer, opera designer and sometime video artist, Hockney is celebrated in the largest exhibition of his long and varied career. It promises to be both celebration and a mixed bag of his manners and preoccupations.• Tate Britain, London, 9 February–29 May.

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Tim Noble and Sue Webster’s Standing (A Lovely Pair) 2017. Photograph: Peter Mallet/Courtesy the artists and BlainSouthern Tim Noble and Sue Webster

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Terrains of the Body … Untitled (79), 2000, by Hellen van Meene. Photograph: Hellen van Meene and Yancey Richardson Gallery Terrains of the Body: Photography from the National Museum of Women in the Arts

Adrian Searle, Jonathan Jones, Oliver Wainwright and Sean O’Hagan

Modern pendant lighting can be used throughout your home and will add beauty and drama wherever they are placed. Be sure to remember the shadow cast by the modern pendants. This is often the most striking feature of the pendant light fixture.

Contemporary pendant light fixtures are edgy and eclectic. Dynamic and very “now,” these modern pendants are on the cutting edge of today’s interior design trends. This style often borrows elements from a number of styles and eras and these pendant light fixtures are often created using innovative materials in an interesting way.

Transitional pendants hold the middle stylistic ground between traditional and modern or contemporary light fixtures. These modern hanging lights feature a traditional frame with oversized or modern lights or shades.

Traditional fixtures have simpler designs and are created by using traditional materials which give modern pendant lights a chic and understated feel. The metal downlight pendant is an excellent example of traditional, modern kitchen lighting.

Ideas for Island Lighting Life in the kitchen revolves around the island – and it deserves the best lighting. Choosing the correct island pendants is one of the most important lighting decisions you will make.

Begin by asking yourself how you plan to use your kitchen island. Food prep: This will require island lights with more focus. A group of simple single downlight pendants will provide ample lighting for your work.

More snacking and mingling than prep work on your kitchen island: In this case, choose fixtures with softer, ambient light to create a more intimate mood. Relaxed eating space: Repeating the same island pendant lights lends a classic, chic look to a kitchen island that doubles as a dining area.

What do you see, 2013, by Sophie Calle, who is a strong contender for the Deutsche Börse photography prize. Photograph: courtesy of the artist and Galerie Perrotin Deutsche Börse photography prize

A fascinating survey of black art in Britain during the 1980s – John Akomfrah and Black Audio Film Collective, Rasheed Araeen, Sunil Gupta, Isaac Julien, Donald Rodney, Lubaina Himid, Maud Sulter and many more in a montage of photography and the moving image, painting and sculpture, archive material and documentary of post-colonial Britain. The artists here helped reshape Britain’s cultural contours during a decade of division and protest. Necessary art for angry times.• Nottingham Contemporary, 4 February–30 April.

Grant Wood’s classic 1930 painting American Gothic is possibly the single most recognised work of American art with its unsmiling duo in front of their church-like wooden house. It leaves the US for the first time to appear in this exhibition, which explores how the Great Depression reshaped American art. The generation who found fame as abstract expressionists a decade later survived the 30s working for public art programmes. Realism and Americana were their obsessions in this time of struggle and despair. Jackson Pollock and Edward Hopper are among the stars of what should be a haunting journey through a broken America.• Royal Academy, London, 25 February–4 June.

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We are hyperventilating already at the thought of the forthcoming Documenta 14, taking place both in Athens and Kassel in Germany. The five-yearly exhibition’s often opaque polemics frequently act as a deterrent, while the art itself rarely fails. The 57th edition of the Venice Biennale, curated by Christine Macel, will be titled Viva Arte Viva. No big theme then, but lots of artists. Phyllida Barlow will be filling the British Pavilion, Rachel Maclean’s mad films represent Scotland and James Richards will be doing it for Wales. More focused and always a delight, the 10-yearly Münster Sculpture Project, an accumulation of new and earlier commissions, fills the city and kicks off in June.• Documenta 14, Athens, 8 April–16 July and Kassel, 10 June–17 September;Venice Biennale, 13 May-26 November; Munster Sculpture Project, 10 June–1 October.

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With such a wide range of choices, choosing the perfect pendant light can seem like an overwhelming task, but it doesn’t need to be. First, determine what type of lighting is needed. Pendants are adaptable to many situations allowing them to be used for task, mood, decorative and general lighting.

Once you understand what type of hanging lights you need, it’s time to determine which style of pendant will fit into your interior design. Hanging light fixtures come in a wide range of styles from the traditional to modern.

Lantern pendant lights have a very traditional style. They have open sides with the lights suspended in the middle and often the sides contain glass. Orb hanging lights contain the light unit within a globe.

A full globe – often made of translucent glass but not necessarily – is more traditional than an open orb with the lights exposed. Cage light fixtures are similar to lantern pendant fixtures, but the side facets are often made up of smaller geometric shapes with thick struts to create dramatic shadows.

Foyer lights have a long cord and are often large to create more impact with a single fixture. They are suited for bigger, more open spaces. Kitchen Pendant Lighting Tips The kitchen is the heart of the home, so it is important to have light fixtures that look as good as they perform.

This is certainly true with pendants. Featuring adjustable heights, kitchen pendant lights can be installed anywhere a stylish and functional light is needed: above worktops, islands, breakfast bars or dining areas.

And no matter what your kitchen style, from farmhouse to cottage to modern or traditional, there will be a hanging light fixture perfectly suited for you. When you are choosing your lighting design for your kitchen think of pendants as the finishing touch that will add that little bit of extra something, giving your kitchen the “Wow Factor.

Nouvel culture … the Louvre Abu Dhabi Photograph: AP Louvre Abu Dhabi

A century after the Russian Revolution, the RA looks at the first 15 years of art under Soviet rule. All its contradictions, dreams and division, new ways of seeing and communicating are explored in this survey that begins at the 1917 revolution and ends 15 years later with utopian ideals giving way to Stalinist repression. Kandinsky’s adventures in spiritual abstraction, Malevich’s subjugation by socialism’s new order, suprematism’s foiled desire for a new artistic language – all are recounted in an exhibition of hope and compromise.• Royal Academy, London, 11 February–17 April.

Pop art was about “all the great modern things”, Andy Warhol said, but it also unleashed new creativity in the time-hallowed tradition of printmaking. Warhol himself pioneered a new approach to silkscreening and Robert Rauschenberg took it up in his powerful montages. Jasper Johns uses printing to meditate on the nature of copying and memory. This exhibition of American art in prints begins with these giants and comes to date with Kara Walker, Julie Mehretu and Ed Ruscha. It ambitiously tries to tell not just the story of American art but American society from JFK to Trump. • British Museum, London, 9 March–18 June.

An intriguing group show culled from the archives of the National Museum of Women in Washington that looks at the female body as a medium for visual storytelling and personal revelation. Artists such as Marina Abramović, Nan Goldin, Justine Kurland, Hellen van Meene and Shirin Neshat turn the camera on themselves to explore female identity and experience in the contemporary world though still images, video and installation. • Whitechapel Gallery, London, 18 January-16 April.

Gold accents, lantern shaped style and an open air design all come togethe…

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